The First Lagos Man is one of the most important paintings I’ve made this year, and in many ways, one of the most personal.
A man dressed in red agbada sits beneath a sky filled with the people, memories, and celebrations of Lagos. He covers much of his face, but his eyes remain fixed on us. Above him is an entire city, its beauty, its weight, its contradictions.
I’ve spent years building a world around Lagos, trying to capture not just what the city looks like, but what it means to be made by it.
The making
01The gesture
The pose comes first, in a handful of loose lines: a body leaning back on the ground, an arm raised across the face, and a horizon. Everything after is built on it.

02The face
Then the face, drawn on its own over a brown ground. The arm hides everything below the eyes, so the eyes have to carry the picture.

03The colour
A loose study sets the palette in broad strokes: red cloth, brown skin, blue sky, and dark earth. The finished painting keeps all four.

04The sky
In the study the sky is empty. In the painting it fills with people, made of the same strokes as the cloud: two figures cheek to cheek, a crowd in geles, and women with their arms thrown up.

05The last pass
Then the hair is painted again, fuller, and the frame is drawn in closer around him.

Before the last pass 
As finished
Up close

The fists
Locked at the end of the raised arm, in front of the brightest light in the painting.

The two
Two figures cheek to cheek, painted into the cloud in white and blue.

The gold
At the chest, the wrist, and the ear, laid over red.

The geles
Women with their arms thrown up, their geles turning into sky.

- Year
- 2026
- Medium
- Digital painting, archival pigment on canvas
- Edition
- Unique work, 1/1
- Collection
- Segun Omole
